Saturday, November 19, 2016

Reactions, Thoughts, and Questions Regarding the Glass Menagerie

Reactions, Thoughts, and Questions Regarding the Glass Menagerie
In scene one, I thought the mother, Amanda Wingfield, was very insensitive and paranoid in regard to her two children, Tom and Laura. Amanda was nagging Tom to eat all of his food, which annoyed him to a point where he had to speak up to get her to stop. This shows that Tom himself is not afraid to speak his mind. When Amanda told the story of her seventeen gentlemen callers in one afternoon (which the children have heard many times), this shows that she wants to set up her daughter as well as find her a suitor. She tells the story about how she chose the wrong suitor (their father) who abandoned them later, which shows that she wants her daughter to choose the right man for her and not make the same mistakes.

In scene two, Laura only types when she hears her mother ascend from the stairs, symbolizing that she has not been to school. Amanda found out that Laura had not been attending business school and is sad about losing fifty dollars worth of tuition. From this, it can be perceived that they are low on money or on a budget. From this, the mother decided that Laura must get married and has to develop charm, once again showing that she is desperate to send off her daughter and that she has old-fashioned views about the dependency of women on men, which is not uncommon for this time period.

Sunday, November 6, 2016

Paul Cantor's "The Nightmare of Romantic Idealism"

What is the author's argument?
Paul Cantor's main argument is that Frankenstein's alternative title, the Modern Prometheus, is named as the book has various Promethean elements that are stereotypically ambiguous. For example, in the book, Victor Frankenstein plays the role of God, however he compares himself to Satan ("All my speculations and hopes are as nothing, and like the archangel who aspired to omnipotence, I am chained in an eternal hell" (200)). The monster also compares himself to two Miltonic roles, Adam and Satan, which can be seen through the following quotation: "Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel, whom thou drivest from joy for no misdeed." Cantor argues that by only having two main characters, Shelley made both characters in some sense Satanic.

2-sentence summary of article
This article is about the mythically ambiguous archetypes and stereotypes that the main characters in the novel possess in relation to Satan, God, and Eve. Throughout the novel, romantic idealism is portrayed through the good and evil of creativity (can lead to new creation but is also dangerous).

Why is ambiguity so important here?
Ambiguity is so important here as Frankenstein's characters have an "underlying moral ambiguity" and do not have morally pure motives. Shelley's myth contrasts sharply with that of her husband in Prometheus Unbound where he rejected the figure of Satan as a poetic paradigm due to the moral ambiguity of his nature. Shelley suggests that Satan has both good and bad sides and realized that it would take a struggle for Prometheus to overcome his desire for revenge and become purely good. Mary Shelley displays a deeper sense of the complexity of human nature as she was unwilling to divide up the character of Satan in the same way, parceling out all his good qualities to the rebellious monster and leaving the creator-god, Frankenstein, with all the bad. She maintains the same moral ambiguity in both characters, and in virtually the same proportions.